ARTSPACE Vol. 7 No. 1 (2026)

Статті

• SYSTEMATIC TEACHING OF COMPOSITION AS A FACTOR IN THE FORMATION OF PROFESSIONAL COMPETENCE OF SCULPTORS AND GRAPHIC DESIGNERS

  SERHIY VOLODYMYROVICH BRYLOV

  14-28

  • pdf (Українська)

• FORMATION OF ARTISTIC IMAGES OF THE OLYMPIAN GODS IN ANCIENT GREEK ART

  VERONIKA YURIYIVNA VOLOBUYEVA

  29-39

  • pdf (Українська)

• TRIPTYCH “TREE OF LIFE OF UKRAINE” AS A FIGURATIVE-PLASTIC INTERPRETATION OF THE ARCHETYPE OF NATIONAL CONTINUITY IN CONTEMPORARY SMALL-SCALE SCULPTURE

  IGOR IVANOVICH GLUKHENKIJ

  40-55

  • pdf (Українська)

• CRIMEAN TATAR THEMES IN THE WORK OF IVAN AIVAZOVSKY

  DARIA SERHIIVNA HRYHORENKO

  56-72

  • pdf (Українська)

• THE SACRED NATURE OF LIGHT IN THE VISUAL CULTURE OF THE BAROQUE

  YULIIA MAKSYMIVNA HROMADSKA

  73-84

  • pdf (Українська)

• IMAGES OF PAGAN GODS OF VOLODYMYR’S PANTHEON IN THE EUROPEAN ARTISTIC TRADITION

  ELIZAVETA SERHIIVNA ISAYEVA

  85-96

  • pdf (Українська)

• THE IMPACT OF SOCIAL MEDIA ON THE ARTISTS` CREATIVITY

  ANZHELINA IHORIVNA KALIANOVA

  97-107

  • pdf (Українська)

• THE CONCEPT OF IDENTITY OF THE NATIONAL CULTURAL SPACE OF UKRAINE IN ITS GLOBAL DIMENSION

  VIKTOR VASILYEVICH KARPOV

  108-122

  • pdf (Українська)

• LOSS OF HOME AS A DOMINANT THEME IN CONTEMPORARY UKRAINIAN ART AFTER THE OCCUPATION OF CRIMEA

  OLEKSANDRA IVANIVNA KYRYCHENKO

  123-133

  • pdf (Українська)

• THE INTERACTION OF TRADITION AND INNOVATION OF ORNITHOLOGICAL MOTIFS IN THE ARTISTIC PRACTICE OF UKRAINE

  YELYZAVETA ROMANIVNA KIKINA

  134-146

  • pdf (Українська)

• IMAGES OF UKRAINE IN THE WORK OF ABRAHAM VON WESTERFELD

  VALENTYNA KOSTYANTYNIVNA KOROL

  147-159

  • pdf (Українська)

• ARTISTIC FEATURES OF KROLEVETS WEAVING: ORNAMENT, COLOR, COMPOSITION

  MARYNA YEVHENIVNA KOMISARCHUK

  160-174

  • pdf (Українська)

• THE ACMEOLOGICAL PARADIGM FOR FORMING THE SYNERGY OF PROFESSIONAL SKILLS IN GRAPHIC DESIGNERS AMIDST THE DIGITAL TRANSFORMATION OF EDUCATION

  OLENA VITALIIVNA LYKHOLAT

  175-200

  • pdf (Українська)

• ANCIENT SYMBOLS, MODERN GRAPHICS: TATTOOS AS A FORM OF BODY ART

  VALERIIA IHORIVNA MAKOVII

  201-212

  • pdf (Українська)

• ORNAMENTATION OF GRAVESTONES IN THE JEWISH CEMETERY OF THE TOWN OF BOLEKHIV

  MARHARYTA PUHACHENKO, MARTA KALAPUN

  213-233

  • pdf (Українська)

• THE MOTIF OF THE LOST HOME IN CONTEMPORARY UKRAINIAN PAINTING

  MARTA IVANIVNA ROZHOSHENKO

  234-245

  • pdf (Українська)

• THE ORIENTAL STYLIZATIONS IN THE DEVELOPMENT OF MODERN EUROPEAN FINE ART

  SABRINA BOHDANIVNA SLUTSKA, OLHA VOLODYMYRIVNA SHKOLNA

  246-261

  • pdf (Українська)

• LANDSCAPE ART OF SERHII SVITOSLAVSKY: THEMES, ARTISTIC MEANS AND PLACE IN UKRAINIAN PAINTING

  MARIIA SERHIIVNA SNITSARENKO

  262-273

  • pdf (Українська)

• PSYCHOLOGY OF COLOR AS A TOOL FOR FORMING SPATIAL THINKING IN PAINTING

  LEONID IVANOVYCH SOTNYK

  274-286

  • pdf (Українська)

• UKRAINIAN TRADITIONS AND CEREMONIES IN THE UKRAINIAN ART OF THE 19TH CENTURY

  ALINA OLEHIVNA STEPANENKO

  287-298

  • pdf (Українська)

• SUPREMATISM OF KAZIMIR MALEVICHAS A NEW STAGE IN THE DEVELOPMENT OF FINE ART

  NATALIA IVANIVNA STEPANENKO

  299-311

  • pdf (Українська)

• THE MAGIC OF RITUALISM IN THE PAINTING “ST. JOHN’S EVE” BY HENRYK SIEMIRADZKI

  ANASTASIA DENISIVNA STETSYUK

  312-324

  • pdf (Українська)

• THE PHENOMENON OF THE UKRAINIAN CHEVRON: FROM AMATEUR ART OF MILITARY SERVANTS TO A SYMBOL OF NATIONAL IDENTITY

  SVITLANA VOLODYMYRIVNA CHUYKO

  325-358

  • pdf (Українська)

• PAINTED EGGS IN THE TRADITIONAL CULTURE OF DIFFERENT PEOPLES OF THE WORLD

  OLHA VOLODYMYRIVNA SHKOLNA

  359-405

  • pdf (Українська)