ANCIENT SYMBOLS, MODERN GRAPHICS: TATTOOS AS A FORM OF BODY ART

Abstract

The article explores tattooing as a phenomenon of contemporary body art formed at the intersection of cultural heritage and current visual practices. In today’s context, it is no longer limited to a decorative function but serves as a means of self-expression, a way to capture personal experience, and a tool for conveying inner emotions through imagery. The origins of tattooing are considered within the framework of ancient cultures, where it performed sacred, social, and symbolic functions. It is shown that these meanings have not disappeared but have transformed in accordance with the modern cultural environment. Traditional symbols, ornaments, and images are reinterpreted and combined with an individual’s personal vision and experience. The role of graphic language in tattooing is defined, where line, rhythm, composition, and style shape a cohesive artistic image. Contemporary techniques allow for the combination of different styles, ranging from minimalistic to complex, multi- layered compositions. The interaction between cultural and personal dimensions in tattooing is also examined, along with the issue of the ethical use of symbols from different cultures. It is concluded that tattooing is a multidimensional art form that reflects both broader cultural processes and an individual’s identity.